"Singing the role of Fire, Nightingale and, especially, the Princess, Ann Moss produced a wonderfully pure, affecting sound."
- Janos Gereben, San Francisco Classical Voice
"Ann Moss's Nannetta, her singing illuminated by beautifully pure
floated high notes, visibly brightened the stage."
- Jason Victor
Serinus, Opera News
"As Blondchen, Ann Moss sang and acted with verve: her agility and high voice impressive."
- Olivia Stapp, Berkeley Daily Planet
"In the duet So ist mein Jesus nun
gefangen (So is my Jesus now captured), the ethereal soprano of Ann
Moss and the corporeal alto of Paul Flight perfectly embodied the
spiritual and physical struggles of Jesus."
- Rebekah Ahrendt, San
Francisco Classical Voice
"The good fortune of having Ann Moss to sing my compositions is like that of
a violinist who has been given a Stradivarius to perform on."
- Liam Wade, Composer
"As Nannetta, Ann Moss had quite a fine voice, singing with pure,
luminous tone."
- Michael Zwiebach, San Francisco Classical Voice
"There were several bright
performances in the supporting roles; Ann Moss and Andrew Truett
created a real sense of chemistry as the opera's young lovers."
-
Georgia Rowe: Classical Notes